In Coralie Fargeat's brand-new feminist terror movie The Substance, hazardous social beauty requirements are the actual beasts. They (women objectification, the fingertip of "the aged," the proliferation of a sector built on physical body alteration) supply a beast of a pattern that leads Demi Moore's fading television individuality character Elisabeth Shimmer to find a bootleg market therapy called The Substance that promises to make her additional attractive. As well as in doing this, she undertakes a creature-feature-like transformation herself.
The Substance is a grotesque process-- one involving syringes, fluids, and Elisabeth's vertebrae opening to childbirth a younger double played through Margaret Qualley. Elisabeth and her equivalent, known as Sue, may certainly not be aware simultaneously, so they each stay for a week just before changing areas, with Sue detracting fluid from a discontinuous gap in Elisbeth's spinal column to sustain herself. When Sue abuses The Substance, Elisabeth starts to grow older-- starting along with one nightmarish, run-down hands just before spreading (blog post) right into ancient, nearly pointless branches; and when Elisabeth fights back through binge-eating, Sue malfunctions a lot (blog post) so that she can easily draw chick wings out of her navel.
In doing this, the movie indicate (blog post) the meticulously unsightly spans some are going to go to be prized as excellent. It's executed to a spine-tingling, life-like level that creates a physical body horror film for the ages.